These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "Alone?"!

"Yesterday." "For what do you take me? I wasn't such a donkey."

"'Even' the Maltese cross?" Mrs. Gereth rose as she sharply echoed the words. "My dear child, you don't suppose I'd have sacrificed that! For what in the world would you have taken me?" "Misses them—rather! She was awfully sweet on them." Fleda remembered how sweet Mona had been, and reflected that if that was the sort of plea he had prepared it was indeed as well he shouldn't see his mother. This was not all she wanted to know, but it came over her that it was all she needed. "You see it puts me in the position of not carrying out what I promised," Owen said. "As she says herself"—he hesitated an instant—"it's just as if I had obtained her under false pretenses." Just before, when he spoke with more drollery than he knew, it had left Fleda serious; but now his own clear gravity had the effect of exciting her mirth. She laughed out, and he looked surprised, but went on: "She regards it as a regular sell." Fleda felt the full need of giving a reason for her departure; but at first she only said with cheerful frankness: "I departed."